Rosset’s linocut works reflected the years spent in Asia as well as summers spent by the sea in Normandy, France. Yin and Yang, vortex, ebb and flow, tides, rock and sand, and patterns in nature fostered his research and conveyed feelings and concepts around impermanence and stillness. In this framework, he aimed to provoke a dialogue or perhaps a rejection between lines and shapes intrigued by and interested in the tension created.